The Complete Sacred Text: Latin Lyrics and English Translation of Mozart’s Requiem
Wolfgang Amadeus Mozart’s Requiem in D minor, K. 626 is far more than a masterpiece of classical composition; it is a profound spiritual journey through the Catholic Mass for the Dead (Missa pro defunctis). Written during his final weeks in Vienna in 1791, the score reflects an intimate confrontation with mortality, divine judgment, and the desperate human plea for eternal peace.
To fully grasp the emotional and dramatic weight of the music, it is essential to understand the sacred liturgy that inspired it. Below is an overview of the structural movements, themes, and spiritual significance of the Requiem text, accompanied by the traditional Latin lyrics and English translations.
1. Introitus (Introductory Rites)
The Requiem opens with a solemn, atmospheric prayer invoking eternal rest and perpetual light for the departed, establishing a mood of deep mourning and supplication.
| Latin Text (Introitus) | English Translation |
|---|---|
|
Requiem aeternam dona eis, Domine, et lux perpetua luceat eis. Te decet hymnus, Deus, in Sion, et tibi reddetur votum in Jerusalem. Exaudi orationem meam, ad te omnis caro veniet. |
Grant them eternal rest, O Lord, and may perpetual light shine on them. Thou, O God, art praised in Sion, and unto Thee shall the vow be performed in Jerusalem. Hear my prayer, unto Thee shall all flesh come. |
2. Kyrie (The Plea for Mercy)
Following the Introit, the choir breaks into a rigorous, emotionally charged double fugue, begging for divine mercy in a brief yet intense supplication.
| Latin Text (Kyrie) | English Translation |
|---|---|
|
Kyrie eleison. Christe eleison. Kyrie eleison. |
Lord, have mercy upon us. Christ, have mercy upon us. Lord, have mercy upon us. |
3. Sequentia (The Dies Irae and Inner Sections)
The Sequence is the longest and most dramatic section of the Requiem. It begins with the terrifying apocalyptic imagery of the Dies Irae (Day of Wrath), moving through various emotional states—from the awesome majesty of the Rex Tremendae to the poignant, weeping beauty of the Lacrimosa, the final 8 bars written directly by Mozart's hand.
| Latin Text (Sequentia - Excerpt) | English Translation |
|---|---|
|
Dies irae, dies illa
Quantus tremor est futurus
Tuba mirum spargens sonum
Mors slopebit et natora
Liber scriptus proferetur
Judex ergo cum sedebit
Quid sum miser tunc dicturus,
Rex tremendae majestatis,
Recordare, Jesu pie,
Quaerens me sedisti lassus,
Juste judex ultionis
lngemisco tamquam reus,
Qui Mariam absolvisti
Preces meae non sum dignae,
Inter oves locurn praesta,
Confutatis maledictis
Oro supplex et acclinis,
Lacrimosa dies ilia
Huic ergo parce, Deus, |
Day of wrath, that day
What dread there will be
A trumpet, spreading a wondrous sound
Death and Nature shall be astonished
A book, written in, will be brought forth
When therefore the Judge takes His seat
What then shall I say, wretch that I am,
King of awful majesty,
Remember, blessed Jesu,
Seeking me Thou didst sit down weary,
Just and avenging Judge,
I groan like a guilty man.
Thou who didst absolve Mary Magdalene
My prayers are not worthy,
Place me among Thy sheep
When the accursed have been confounded
I pray in supplication on my knees.
Mournful that day
Therefore spare him, O God. |
4. Offertorium (Offerings of Faith)
The Offertorium shifts the musical tone toward supplication and divine deliverance, asking God and St. Michael to rescue the souls of the faithful departed from the powers of darkness and bring them into holy light.
| Latin Text (Offertorium - Excerpt) | English Translation |
|---|---|
|
Domine, Jesu Christe, Rex gloriae, libera animas omnium fidelium defunctorum de poenis inferni... Hostias et preces, tibi, Domine, laudis offerimus... |
Lord Jesus Christ, King of glory, deliver the souls of all the faithful departed from the pains of hell... We offer unto Thee this sacrifice of prayer and praise... |
5. Sanctus & Benedictus (Heavenly Praise)
The Sanctus explodes with radiant, joyful majesty, proclaiming the holiness of God across heaven and earth, followed by the lyrical, peaceful grace of the Benedictus.
| Latin Text (Sanctus & Benedictus) | English Translation |
|---|---|
|
Sanctus, Sanctus, Sanctus, Dominus Deus Sabaoth! Pleni sunt coeli et terra gloria tua. Osanna in excelsis. Benedictus qui venit in nomine Domini. Osanna in excelsis. |
Holy, holy, holy, Lord God of Sabaoth! Heaven and earth are full of Thy glory. Hosanna in the highest. Blessed is He who cometh in the name of the Lord. Hosanna in the highest. |
6. Agnus Dei & Communio (Final Resolution)
The Requiem concludes with the Agnus Dei (Lamb of God) offering a final plea for everlasting rest, and the Communio (Lux aeterna), which recalls the musical themes of the opening Introit to bring the entire monumental work full circle in an embrace of eternal light and mercy.
| Latin Text (Communio - Excerpt) | English Translation |
|---|---|
|
Lux aeterna luceat eis, Domine, cum sanctis tuis in aeternum, quia pius es. Requiem aeternam dona eis, Domine... |
May eternal light shine on them, O Lord, with Thy saints for ever, because Thou art merciful. Grant the dead eternal rest, O Lord... |
Conclusion: The Eternal Resonance of Mozart’s Text
Mozart’s musical setting transforms these ancient Latin prayers into a living psychological drama. By understanding the exact words he set on his deathbed, we gain a deeper window into his final masterpiece—a bridge between human vulnerability and infinite peace.
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